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Workshopped with a group of teens from The Bronx over the course of 3 years, Michel Gondry's The We and The I gives an inside look into the dynamics, drama and hilarity that emerge on a real-time bus ride through The Bronx on the last day of school. -- (C) Paladin Films Unrated
Release Date The We and the I Mar 8, 2013 Limited
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Actors For The We and the I

Michael Brodie,Teresa Lynn Eyet,Laidychen Carrasco,Raymond Delgado,Jonathan Ortiz,Jonathan Worrell,Alex Barrios,Meghan "Niomi" Murphy,Joe Mele,Meghan Murphy,Brandon Diaz,Teresa Reynolds Rivera

Genres The We and the I : Drama,Science Fiction & Fantasy,Comedy

Visitor Ranting & Critics For The We and the I

User Ranting The We and the I : 3.3
User Percentage For The We and the I : %
User Count Like for The We and the I : 835
All Critics Ranting For The We and the I : 6.6
All Critics Count For The We and the I : 38
All Critics Percentage For The We and the I : 66 %

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Movie Overview For The We and the I

The We and the I is the heartfelt and comical story of the final bus ride home for a group of young high school students and graduates.

TagLine The We and the I

Trailer For The We and the I

Review For The We and the I

Credit Gondry, like Tocqueville before him, with at least re-examining tired clichés and scraping the rust off stereotypes.
Rick Groen-Globe and Mail

An occasionally interesting glimpse into the lives of a diverse group of urban teens and their struggles, but also a film that's overly long and often annoying.
Linda Barnard-Toronto Star

All of the kids are good in their roles, mostly as characters one assumes resemble themselves. And as any actor will tell you, playing yourself is one of the toughest gigs around.
Bill Goodykoontz-Arizona Republic

Gondry has talent, and I think he enjoyed being with these youngsters, but the film suffers in trying to impose something vaguely like a story on a framework that boils down to teen high jinks during a bus ride.
Walter V. Addiego-San Francisco Chronicle

"The We and the I" is a collection of very thin stories, many of which feel incomplete.
John Hartl-Seattle Times

Organic interactions are interrupted by Gondry's words, or abandoned in favor of fantasy sequences. The film's verisimilitude too often takes a backseat to conventional storytelling and Gondry's whimsical aesthetic.
Elizabeth Horkley-Philadelphia Inquirer

Gondry is like a DJ scratching a record. He puts his own touches to the sound of the Bronx while staying true to its beat.
Radheyan Simonpillai-NOW Toronto

Gondry's film is like a huge community, alive and -- despite a layer of protective swagger -- full of sympathy and love.
Jeffrey M. Anderson-Combustible Celluloid

An artful, scrambled, energetic blend of youthful connection and hormonally charged carousing [that] works more as a caffeinated conveyance of feeling than an actual plotted story.
Brent Simon-Shared Darkness

French director Michel Gondry takes a select group of Bronx teenagers, puts them on a bus, and lets them loose. For some of us, it's a scary ride.
Beverly Berning-culturevulture.net

Gondry captures some intermittent compelling moments, but overall the film lacks much depth or insight.
Todd Jorgenson-Cinemalogue.com

The We and the I is less a film than a social-studies experiment, an after-school project by a bunch of high-school kids exploring that eternal teen tension between the individual and the group.
Sean Axmaker-Seattle Weekly

Imagine a student video project with professional production values.
Kelly Vance-East Bay Express

By the end of the line, we've been granted a privileged peek at today's youth that's intimidating and nostalgia-inducing in equal measure.
Marc Mohan-Oregonian

Realistic look at teen culture has drinking, sex, language.
S. Jhoanna Robledo-Common Sense Media

Exuberantly finds the universality of adolescence. . . [in] a running theme of. . .peers vs. individual--how 1 plus 1 equals 3, when in groups, they become like someone else.
Nora Lee Mandel-Film-Forward.com

Michel Gondry gets back to his low-budget roots and rediscovers his formidable formal playfulness in the process.
Ethan Alter-Television Without Pity

Ambition only carries the viewing experience so far, as most of the effort is strangled by a persistent unpleasantness and Gondry's tone-deaf way with establishing sympathy for this public transit motley crew.
Brian Orndorf-Blu-ray.com

A return to successful form for (director Michel) Gondry after 2011's wretched "The Green Hornet"...captures the modern teen spirit, lingo and reliance on technology exceptionally well.
Fr. Chris Carpenter-Movie Dearest

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